Nervous aesthetics
Literary criticism, cognitive science, and sensory perception in works by Woolf, Kerouac and Nabokov
Presenter: Michael Bartlett, PhD candidate
Venue: Milgate Room, ANU
part of the SLLL Literary Studies seminar
In his pre-submission seminar, Michael Bartlett used three literary case studies to examine the value or otherwise of cognitive poetics and neuroaesthetics as two approaches in the critical toolkit. These case studies were:
- Kerouac, On the road + music
- Virginia Woolf, Mrs Dalloway + Impressionism
- Nabokov, Lolita + crossmodality
From these studies he identified mechanisms where brain functions are definitely implicated in critical responses.
- Nabokov’s synaesthesia provides an extreme case of the working of cross-modality as the base for metaphors like ‘sharp’ cheese. Bartlett noted V. S. Ramanchandran’s work on ‘hypernormativity’ (superstimulus) and synaesthesia.
- Woolf’s method of representing moments in time, of converting story to novel (Banfield, 2003), is “more Pisarro than Monet”, and can be aligned with the tools used by Harvard neurobiologist Margaret Livingstone to research how artworks are perceived by highly interconnected modules in the brain’s anatomy.
- Kerouac’s enjambement was clearly related to prosodic features in language and to the tension set up in jazz, where the audience anticipates and waits for the violations and resolutions in the music.
[Banfield, A. (2003). Time Passes: Virginia Woolf, Post-Impressionism, and Cambridge Time. Poetics Today 24(3), 471-516. Duke University Press.
Ramachandran, V. S. & Hubbard, E. M. (2005) Synesthesia: What does it tell us about the emergence of qualia, metaphor, abstract thought, and language? In 23 Problems in Systems Neuroscience, edited by T. S. Sejnowski & L. Van Hemmen. Oxford, UK: Oxford Univ. Press, pp. 432-473.]
Additional reading
The foundation work on how literary effects can be translated by linguistics or cognitive science was from proponents Peter Stockwell (dealing with linguistics and conceptual metaphor) and (initially) Reuven Tsur (chiefly concerned with poetry).
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